More still life. I love this form. Many of my favorite paintings remain still life. The oldest good oil painting I have (I have a couple not so polished…) is a still life. It’s a teaching form, but works for me. — spence
Lizard, 2005
This was a section from Canyons. I loved the wet-on-wet oil work on Canyons and I wanted to continue it. This came from reaching back to the watercolor work I did in my teens – cartoony mis=use of watercolor and ink to craft basically brightly colored posters. Stuff to hang on the walls […]
Two Figures, 2005 (unfinished)
This was never signed or finished, but I learned a lot about abstracted figures. The inspiration was a clay sculpture at the Met, of a crouched human figure. — spence
Guitar and Mandolin, 2004
This was a sketch by Picasso, deconstructing a mandolin, as a taking off point and then more deconstruction. — spence
Two Guitars, 2005
A feel for forms and shapes and distortions
Red Chair, 2005
This was from a photograph of the abandoned roof of the Ambassador Hotel in Los Angeles
Sale Pending, 2005
…it had a deserted sadness to it
Woman 1934, 2004
…oil on canvas
