Paintings from Sunset Series by Spence Munsinger, Color Field + Blank White Canvas + Realism + Contemporary Abstract Art, original paintings for sale

“There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.”
― Pablo Picasso

99 Megapixels: Fotodiox Rhinocam With Mamiya Lens and Fuji X Camera

One of the huge advantages of mirrorless cameras, Olympus, Panasonic, Sony and Fuji, is the shortness of the dimension between lens mount and sensor. I have adapters for M39 rangefinder lenses, Olympus OM lenses, and they work beautifully on my Fuji cameras. I have an EOS – FX adapter to use my Lensbaby 5mm Fisheye on the Fuji camera. All of this is possible because you can move the lenses designed for 35mm film dimensions out to where they need to be to focus on the mirrorless sensor with an adapter.

The Fotodiox Rhinocam Viselex rig mounts a medium format lens on the front. On the back you have a ground glass viewfinder that is useful primarily for framing the future assembled image on the left side, and a mirrorless camera mount on the right, along with two sliding tracks, one vertical and one horizontal, and dots for positioning. All of this works for taking 8 overlapping 16MP images that can be assembled into a 9000 x 11000 pixel image. You are taking these images and focusing through a medium format lens, moving the mirrorless camera around in that lens’s field of view.


I’ve taken 6x7cm medium format film of a painting, scanned it in a Nikon film scanner, and come up with an image about that size. Way more work, and the detail in film is not as clear as the detail in an X series sensor. There aren’t alot of action photographs you could take with this rig – actually anything that moves won’t work unless it happens to be restricted to within a section of the image. And I would avoid dusty environments – the camera is somewhat protected while in the rig from dust, but nowhere as well protected as with a single native lens. So there are limits to what it can do. But for photographing works of art in polarized lighting in a studio at high resolution without spending $40000.00 on a Phase One medium format rig, this is awesome.

Assembling the photographs sometimes works in Lightroom – about 50% of the time – it seems to consistently work in Photoshop. I’ve had one failure in Photoshop, where two sections ended off above and below the rest of the image, disconnected. I think I can take more individual images, overlap them more, and maybe get it to work, but I haven’t tried it as yet. That same image worked in Lightroom, so go figure. The resulting images are about 9000 x 11000 pixels, or roughly 99 Megapixels. The resolution is outstanding, the detail and focus are every bit as good as medium format film.




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