Paintings from Sunset Series by Spence Munsinger, Color Field + Blank White Canvas + Realism + Contemporary Abstract Art, original paintings for sale

"Every good painter paints what he is."
― Jackson Pollock

Multi- and Portable Easels

I’ve been looking for a solution to traveling and painting. I tested the Craftech Sienna Porchade box – nicely finished, lightweight, but the support was one side only, and the tightening knobs very small. It wobbled. I returned it. I tried three versions of the Guerilla Painter boxes. From amazon.com, I purchased the 6″ x 8″ Pochade. It was way too small to be useful to me. I returned it. The 9″ x 12″ was very good – again only supported on one side, but way more sturdy. I purchased seconds of the 9″ x 12″ and the French Reisstance Pochade (medium) directly from Judson’s Art Outfitters. These were discounted, and still beautiful. Hard to tell they were seconds. I kept both of the seconds, giving one to my daughter. I like and will use the French Resistance Medium Pochade – it is light enough and very very stable when supporting a canvas or backed wood panel. There is support on both sides of the lid and the design for the support is very workable.

In researching what people thought of various pochade boxes and portable easel solutions, I ran across James Coulter’s Plein Air System. Beautiful pieces. I liked the idea, but some of the construction details bothered me as an engineer and furniture builder and obsessive craftsman. I took what I liked about the design and built two prototypes for myself to work through and see how they work for me. These are not “better” – we’ll see how these changes work out in practice, and they may not be practical in a product built for sale. The major changes are the tripod support is 1/4″ flat steel, 4″ long x 1-1/2″ wide, through-bolted to a maple easel head, with a tripod 1/4″-20 thread in the center. Similar to what Guerilla Painter does for their boxes, but steel instead of aluminum (heavier but way more durable). I used Jatoba for the canvas/panel supports. I through-bolted the hinges joining the sides of the palette box. The stress on the hinge screws is not across the screws, but pulls on a fulcrum leverage out and away. Through-bolting accommodates that tension. I also made the tripod supports at the back of the boxes adjustable, which is a detail that was present on the Craftech Sienna Supply Box design. I ordered luggage latches and added a bar across one of the two panel lids, so latching one side restrained the other – two latched on the side tension down the lid with the keeper bar attached. I’m cutting plexiglas to line the interior compartments, because I work in acrylic, and plexi works better for a paint palette surface (glass is even better than that, but heavy and dangerous…).

I was originally going to use these portable boxes, and the adapted plein air system pieces in my studio for working on multiple works in the same session. But along the way I had another idea, and worked through that. I kept mixing paint from my large tubs of paint, and using it and then having to discard what was left, then mix the same or similar color for another work in progress a few minutes later. I designed and built a couple of four-work easel panels – they fit stably into my Klopfenstein metal studio easel – two of them encompasses 4 works x2 for eight works in progress and actively worked in a session. I completed these Sunday, but sanding and lacquering them started last evening.

Once the lacquer is finished, I’ll photograph the results and post them.

 

—spence

 

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