Paintings from Sunset Series by Spence Munsinger, Color Field + Blank White Canvas + Realism + Contemporary Abstract Art, original paintings for sale

"I hate flowers - I paint them because they're cheaper than models and they don't move. ”
― Georgia O'Keeffe

Painting-a-Day | easels and travel

Painting-a-Day will require re-thinking my studio setup and daily ritual, and add an artistic practice capability even when travelling.

“Art washes away from the soul the dust of everyday life.”
–Pablo Picasso

Ideally I’d like to go anywhere and effectively be able to keep up a consistent continuous artistic practice.

I’ve been using a Klopfenstein Pro 100 Metal Easel since 2007, and it has been outstanding. It weighs about 80 lbs and is rock solid with just about any size canvas. It doesn’t travel, it stays in the studio.

I’ve had a Stanrite #500 Aluminum easel, since about 2009, as a more portable option. It folds down, but it is still long for putting into a piece of luggage for travel. And it is wobbly, in the way it supports canvases. Useful for varnishing, not for painting. I find the instability distracting and disconcerting.

I had a Julian French Easel. I set it up once, put it aside, set it up when I photographed it to sell, and mostly found it too cumbersome and space consuming to actually be useful. I don’t want to paint in the open air – I want controlled lighting and air-conditioning or heating and no insects sticking in the paint and music, lots of music. But i do want a setup I can take with me on an airplane, if I’m going to paint a Painting-a-Day.

I have a Manfroto studio tripod and a very good Benro MeFoto travel tripod – so pochade or plein air eseal seems to be a good fit for me. I need both an easel to travel and a couple of easels to set up in the studio to make the painting process more flowing.

I looked at Guerilla Boxes, the Coulter Plein Air System, the Craftech Sienna Plein Air Pochade system, table top sketchbox easels, Open Box M, Alla Prima Pochade, and the Soltec easel, with a view toward portable studio rather than plein air paintings.

I love the design of the Coulter Plein Air System – with exceptions. It looks like the tripod attachment is a 1/4-20 T-Nut – the stress on that small point is huge, better would be a plate with a 1/4-20 thread, similar to that used on the Craftech Sienna and the Guerilla Box Pochade. I would also change the support to have a wedge “V” shape toward the inside and a sharp trapezoid point on the outside – the trapezoidal point would grab the interior frame of canvas or wood support, the “V” would grab and support panels of varying thickness. And I would (will!) make the supports to be wide, say 5″. The hinges on the palette box should be through-bolted (can’t tell from the photos), and the latch would need to be more substancial… I would (will!) also make the tripod leg support section, that wraps around the tripod legs, adjustable. Sigh. I think I’ve talked myself into building a couple of these to try out these ideas.

I sent back the Craftech Sienna – nice, very pretty, but too much like furniture, not substancial enough to survive over the long haul. I will use the tripod leg support design (adjustable) for my home build easel palette table.

I will likely keep the Guerilla Box French Resistance Medium and the 9″ x 12″ Pochade box for airplane travel. But I may end up also taking one of the plein air easels too, and a couple of the tripods.

And if all of this works out I’ll need another Benro tripod

—spence

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