Paintings from Sunset Series by Spence Munsinger, Color Field + Blank White Canvas + Realism + Contemporary Abstract Art, original paintings for sale

"We all know that art is not truth. Art is a lie that makes us realize truth..."
― Pablo Picasso

Zen and Painting-a-Day – Stop Thinking, Paint

 

Sunset 23 | Off State Street

Sunset 23 | Off State Street

 

Painting is motion and intuitive sensing and feeling of aesthetic and emotion. It is fluid, and for me heavily influenced by gesture and music, like a dance between the reality of light and form and shadow and the paint on the surface.

I was reading an artist who was writing that Painting-a-Day wasn’t really one painting one day. Her objection was that layers of thought and composition could take months to discover and place. I believe that. I believe that each painting is its own time frame, its own requirements. But – if each will take you months, then you need to have 25 or 50 or more going at the same time. Take the time on each one, but make them come to an ending, to a completion.

I think Painting-a-Day is exactly that. I think most artists can complete a painting a day in their practice. I don’t believe any single individual flow of creativity works out longer than a couple of hours at a stretch. I used to start a painting and work straight through until it was done – that could be many hours, through the night and into the next day to complete. I do not do that anymore. There is drying time, for the technique I use now. There is just creative reach. Once I start feeling that I’ve gone too far and the painting is going off the rails, it’s time to stop, step back and come back to it later. That’s usually two hours at a stretch or less.

So to shoot for completing a painting-a-day, I start 8 paintings. I work through all of them, four at a time, bringing each set along. This widens the dance. I have been trying this using multiple easels, but it used up a lot of space, and required a lot of motion. I’m building a four-painting-at-a-time easel board – a 2′ x 4′ piece of plywood with four panel holder blocks adjustable along 1/4″ slots. I’m making two of them, and I think I’ll work four paintings, set them aside hanging on the wall, set up the second board on my steel easel, and work the next four. That should allow me to mix a color that would work on more than one, use it, mix the next, use it – measuring the time painting, perhaps 2/3rds of the time is mixing and adjusting colors, so making that more efficient is huge.

Once I have it built and any bugs worked out, I’ll post pictures of it. Might come in handy for paintings on multiple panels as well…

 

—spence

 

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